Motion Design
RomCon: Who The F*ck Is Jason Porter?
Creative Direction: Mathew den Boer & Nigel Mikz
VFX Production: Patrick Productions
Client: Amazon | Studio: Blink49
VFX Production: Patrick Productions
Client: Amazon | Studio: Blink49
I designed & animated key scenes for RomCon: Who the F**k is Jason Porter?, a two-part true-crime romance documentary on Prime Video.
Motion Design
RationAle Brewing
Creative Direction: Nigel Mikz | VFX Production: Patrick Productions
I developed motion graphics for multiple ad spots promoting the non-alcoholic beer brand RationAle Brewing.
I developed motion graphics for multiple ad spots promoting the non-alcoholic beer brand RationAle Brewing.
Pet Semetary: Bloodlines (Paramount+)
Director: Lindsey Anderson BeerProduction Designer: Adam Scher
I handled some graphic design for props, set decorations, and show vehicles in this prequel film based on Steven King’s Pet Semetary. The story is set in 1969, which gave me a great opportunity to emulate the aesthetics of the era.
One of the hero props was a fake beer brand called Old Club. Using an antique beer case sourced from eBay, I recreated the die-cut cardboard packaging with custom graphics.
The beer can design itself was featured prominently in several scenes, including being left as a tribute on the antagonist’s father’s grave.
The hero show vehicle was a 1969 Volkswagen Beetle, hand-painted with custom graphics for the main character. I also did an antique Volkswagen Westfalia designed to look hand-painted while actually wrapped in die-cut vinyl decals.
I also worked on a range of miscellaneous graphics: memorial plaques, war medal displays, a stubby beer label, hockey rink signage, religious murals, & plenty of old photographs.
Graphic Design
The End is Nye (Peacock)
Created by Seth Macfarlane & Bill NyeI designed graphics for props, playback, set dec & costume in this 6-episode science docu-drama series starring Bill Nye (the Science Guy).
There were tons of fun props written in as punchlines or visual aids, giving me a great opportunity to experiment with a variety of art styles.
I also made playback graphics for several scenes, including a boardroom slideshow presented by the show's co-creator, Seth MacFarlane.
Seth shows up again in another episode with a set of electrical grid diagrams I designed for fictional cities. Each screen features a photo-collaged aerial night views of real places, overlaid with intricate 3-colour linework illustrating imagined electrical infrastructures.
For costume, I designed the embroidered patches that are featured on the astronaut uniforms that appear throughout.
One of my favourite set dec pieces: a dumpster cover-up for a big SFX explosion scene. You only see it for a split second, but it was a blast to make. We were on a tight schedule & it was a last-minute addition, so I knocked it out in a couple of hours to send to the printers same day.
There were also a ton of other set decoration graphics that I designed, including the branding & other various coverups for a super market.
As well as some posters for the “feature films” playing at a nickelodeon theatre.
There were a bunch of other interventions that I handled too: bags of coffee, a hurricane wall, airplane branding, & maps... SO MANY MAPS!
Graphic Design
Black Life: Untold Stories
I helped to develope & design the graphics for the series’ title card screens. We were provided with a great selection of archival photographs that were combined with stock photo, paper tears & textures to create the feel of a gritty, collaged scrapbook.
Below is a look at the variations each scene went through before arriving at the final graphics above.
Below is a look at the variations each scene went through before arriving at the final graphics above.
